Giant Gloria/Hitler Effigy Is SONA Protest
Centerpiece
This year’s SONA will
display a horrendous caricature of Mrs. Arroyo contorted into a chilling
13-foot resemblance of Adolf Hitler. The intention behind the Hitler
analogy is to parallel the fascist repression carried out by Hitler along
with Arroyo’s all-out war against the leaders, members and supporters of
people’s organizations and other critics of the president.
By Joshua F. Castro
Contributed to Bulatlat
In the Philippines,
the President’s State of the Nation Address (SONA) has become a yearly
event for Filipinos, as well as their compatriots from all over the globe,
to speak out in opposition against U.S.-backed Philippine puppet regimes
such as that of Gloria Macapagal-Arroyo.
On SONA day, the
Filipino people look forward to the huge peoples’ march in Quezon City
from the Commonwealth Avenue toward the Batasan complex. (Other protests
are slated in many provincial centers as well in overseas.) The (in)famous
presidential effigy has always been the centerpiece of these events.
This year’s SONA will
display a horrendous caricature of Mrs. Arroyo contorted into a chilling
13-foot resemblance of Adolf Hitler. The intention behind the Hitler
analogy is to parallel the fascist repression carried out by Hitler along
with Arroyo’s all-out war against the leaders, members and supporters of
people’s organizations and other critics of the president.
People behind the
effigy
Despite the
complexity of the effigy’s construction, the forces of the production are
not expensive tools or machines, but rather a large helping of elbow
grease and human ingenuity.
The clever brains
behind this monumental task are none other than members of the cultural
organization UGATLahi.
UGATLahi, an artist’s
organization focused on creating aptly named “protest art”, has been a
major contributor to the people’s movement since its founding at the
University of Santo Tomas in 1995. The organization, currently comprised
mostly of young students, along with elder trade professionals, has been
working around the clock to create the effigy of Mrs. Arroyo.
Raul Ignacio “Iggy”
Rodriguez, one of the main project coordinators of the group, talked about
both the ideological focus behind the work of the organization as well as
its current task of creating the effigy of “Asia’s Queen of
Anti-Terrorism.”
“Making effigies of
the present Philippine president has come to be a much-enjoyed part of the
SONA festivities,” said Rodriguez.
Rodriquez said his
group has been working on the effigy since last Thursday. One could see
the noticeable progress of their work as they had already created a rough
likeness of GMA’s head. “What you have not seen, however, is the great
deal of collective work which has gone into the planning process of
creating this effigy,” says Rodriguez.
Tirelessly working
alongside the young members of UGATLahi are three carpenters who give the
technical skill and experience in this huge undertaking.
Rodriguez revealed,
“Mang Naldo, Mang Domeng, and Mang Vinnie provide their expertise and
service to us for only the cost of food and transportation. We greatly
appreciate their commitment as they have been volunteering their time with
us since 1999. ” The intricacy of the effigies throughout the years shows
that the trio of carpenters pay close attention to details in their work.
Recycled materials
Because of budget
limitations, UGATLahi faces the challenge of creating an impressive and
complex work of art, while at the same time conscious of the bottom line.
When asked about the
materials used to create the effigy, Rodriguez began to smirk.
“The clay we are
using to create the head and hands of Gloria has been in our possession
since the mid 1990’s. Much of our materials is either recycled or
donated,” Rodriguez said.
Household materials
also come in handy. GI [galvanized iron] wire is used to create skeletons
for the effigy’s structures as well as to provide a means with which to
connect certain parts of the effigy together.
Political
statement
Irad Sancho, 18, vice
president of the UGATLahi chapter at EARIST, said, “The purpose of the
effigy is to expose GMA for what she truly is.”
“As artists, we
always have to remember that we should not consider ourselves the center
of attention,” Rodriguez humbly said. “Much like how the mobilization of
the masses during this year’s SONA should be regarded as the focus rather
than the effigy. The masses, rather than the artists, should be regarded
as the center of the movement for national democracy in the Philippines.”
Bulatlat
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