Bu-lat-lat (boo-lat-lat) verb: to search, probe, investigate, inquire; to unearth facts Volume 2, Number 40 November 10 - 16, 2002 Quezon City, Philippines |
Brocka,
La Aunor Movies Top Activists' 10 Best Films Three
award-winning movies of the late filmmaker Lino Brocka and five films featuring
superstar Nora Aunor were cited by activists in their list of the 10 best
Filipino films of all time, with the much-heralded opus Maynila
Sa Mga Kuko ng Liwanag (1976) emerging as the top choice. By Gerry Albert-Corpuz Three
award-winning movies of the late filmmaker Lino Brocka and five films featuring
superstar Nora Aunor were cited by activists in their list of the 10 best
Filipino films of all time, with the much-heralded opus Maynila
Sa Mga Kuko ng Liwanag (1976) emerging as the top choice. The
survey was conducted from Oct.1-21. A total of 37 activists representing
people's organizations and non-government groups were asked to name their 10
best films in random order; 29 of them replied. Maynila, written by award-winning novelist Edgardo Reyes, was a general indictment
of a decaying urban life under the death bed of martial law, says Raymond
Palatino, chair of the National Union of Students of the Philippines, who admits
being a lover of foreign and local art films. Says
43-year old critic Bert Santos, now a staff of the militant fisherfolk group
Pamalakaya, “Maynila was dark and
gory, sad and disturbing, but it was really beautiful. I saw it 26 years ago but
the vivid pictures of life and struggle in Manila shown in that film is
amazingly true at this point of our history.” A
student leader of a peasant-youth group also says he saw the Brocka film twice
in cable channel Cinema One and was astounded by the sad plight of lovers Julio
Madiaga and Ligaya Paraiso who were exploited by other people's greed for lust,
corporate exploitation and the moribund social system. The
film garnered 24 votes among the list of over 80 films cited by activists as
their best local films of all time, besting Brocka's other works like Orapronobis, Tinimbang Ka Ngunit Kulang, including the Nora Aunor
classic Himala penned by award-winning
scriptwriter Ricky Lee and directed by the late National Artist, Ishmael Bernal.
Eye
opener It
was not surprising that another Brocka film, Orapronobis,
came a close second to Maynila, having
been popular among activists from the late ‘80s up to the present. It was
considered an "eye-opener film" among the present crop of activists,
including the pre- and post-Edsa 1 and Edsa 2 activists because of the film's
capacity to politically agitate its viewers. Produced
during the Aquino administration, the film was banned for commercial exhibition
because of its anti-militarization theme but was previewed at the UP Film
Center. Activist writer Rachel Anne Calabia, a high school junior then, recalled
the scene where one character is being tortured while "No Where" by
Diana Ross and the Supremes plays on the background. Orapronobis
was cited 22 times –
including international awards - and was often referred by activists as the most
agitating film in the ‘80s. Bernal
at his best Bernal
will be remembered by his contemporaries and succeeding generations of activists
as one "serious and deep director" for his critique of society and the
artistic and political polemics on religion as a tool for class rule and
exploitation by the elite. These themes are stressed in a number of his films,
including Wating, the last film he
directed before he died some years back. Bernal
was remembered for his films like Nunal Sa
Tubig, Manila By Night, Pagdating sa Dulo and Ikaw Ay Akin, but his most cherished film was Nora Aunor's classic Himala
produced in 1982 by the Experimental Cinema of the Philippines. Himala, the most honored entry in the Metro Manila Film Festival (MFFF) in 1982,
had Aunor as Elsa, the barrio lass who claimed she saw the Virgin Mary in the
village of Cupang and became the toast of the town for her unexplained ability
to heal sick people. "I
like how it dissected the evils of religious feudal beliefs in the country. Magaling
talaga si Nora Aunor," says Calabia. Another
activist from Bagong Alyansang Makabayan says Himala
was among her best local films because of its brave stand on religion and
how the ruling class used it as political tool to maintain the status quo and
exact class rule. "Definitely it’s Bernal's most provocative film since Nunal
sa Tubig and it was La Aunor's best performance in her entire career as a
film actress," she says. Himala,
a regular feature in several international film festivals abroad and often
served as the opening or closing film of the yearly Pelikula at Lipunan
festival, was adjudged by activists as the third best film of all time, with 19
votes from 29 respondents. Justice
to Ka Dencio, Kuala Filipino
activists gave justice to slain labor leader Ka Dencio (played by the late Tony
Santos Sr.), one of the main characters in the movie Sister Stella L produced by Regal Films and directed by Mike de
Leon. It was the fourth best film among our activist respondents, citing Lily
Monteverde's film 13 times. The
film about an activist nun played by Vilma Santos was shown in 1984, two years
before the first Edsa uprising. It was inspired by the people's fight against
the US-backed Marcos dictatorship with the labor front as its political backdrop
in denouncing the fascist rule. Amy
Dural of the Promotion of Church for People's Response (PCPR) says Sister Stella L should be cited for its clear depiction of the
struggle of workers against the exploiting capitalist class and the Church
peoples' involvement in this fight for class emancipation. "I
gave this film a two-thumbs up for its courageous stand on the issue of labor,
state fascism and its rallying call for Church people to absorb the workers'
fight for a just and humane society in flesh and in spirit," says Dural. Brocka's
Tinimbang Ka Ngunit Kulang tied with Sister
Stella L in the fourth spot. "If Ka Dencio was given justice, the same
was done to Kuala played superbly by seasoned actress Lolita Rodriguez who was
abandoned by a rich playboy acted by Eddie Garcia," says a former UP
student and now staff of the peasant group Kilusang Magbubukid ng Pilipinas (KMP).
Films
against colonial powers Two
anti-colonial films cited 12 times by respondents were tied at No.5, namely the
anti-bases Minsan May Isang Gamu-Gamo and
the Japanese war time drama Oro Plata Mata
produced by Premiere Productions in 1976 and the Experimental Cinema of the
Philippines in early ‘80s respectively. UP-Manila
student Christopher Reginald Vallejos says he had seen the movie twice on ABS-CBN
2 cable channel. Viewing Aunor's film, he says, is always a delight for staunch
anti-bases activist like him. "The
anti-bases film managed to escape the scissors of the Board of Censors that time
under the military regime of ex-President Marcos. It is good this film is still
preserved and currently used as reference for anti-bases discussions in schools
and communities. The film is also a good material for our campaign against the
US war of aggression and basing rights in the Philippines," the student
leader says. Minsan
May Isang Gamu-Gamo,
one of the gems in the so-called Golden Age of Philippine Cinema (the
mid-‘70s), won the Famas Best Picture in 1977. It starred Nora Aunor as a
Filipina nurse who dreamt of working in the United States but later canceled her
trip in the land of milk and honey after her brother played by Aunor's younger
brother in real life Eddie Villamayor was shot by an American serviceman who
mistook him for a wild boar. The classic punchline, "My brother is not a
pig!" became one of the best-remembered film dialogues in local cinema. Oro,
Plata, Mata, one of the early
directorial jobs of Peque Gallaga, won the Gawad Urian's Best Picture trophy in
1984. According to one respondent, the film was a great portrayal of the angst
of a big landlord family during the Japanese colonial occupation of the
Philippines and World War II.
Gallaga
used graphic sex and violence in depicting the reactionary and fragile nature of
the rich and privileged people even in times of war and national distress,
according to activist critics. La
Aunor shines The
Flor Contemplacion Story, Bakit May Kahapon Pa? and
Tatlong Taong Walang Diyos tied at 6th
place. Incidentally, the three films were all Nora Aunor movies. First
Quarter Storm activist and multi-awarded director Joel Lamangan directed the
first two and underrated director Mario O' Hara directed the
critically-acclaimed war drama which was officially part of the Golden Year of
Philippine Cinema in 1976. Respondents
cited Flor Contemplacion for
pinpointing the Ramos government and its labor export policy as the culprit
behind the death of the ill-fated Filipina domestic helper in Singapore, while Bakit May Kahapon Pa? earned favorable reviews for its anti-militarization
stand that challenged ex-President Ramos' Philippine 2000. O’Hara's
Tatlong Taong Walang Diyos, a period
film about the Japanese occupation of the Philippines, was noticed by activist
critics for its anti-colonial and anti-imperialist war message. The three La
Aunor films were cited 9 times in the survey. Rizal
movies and long hair Sakay The
film Jose Rizal directed by Marilou
Diaz Abaya and starred in by Cesar Montano was the local activists' 7th best
local film (8 votes), followed by another Rizal movie Bayaning Third World and Raymond Red's Sakay in 8th and 9th places (7 and 6 votes each), respectively. Abaya's
collaboration with Montano was cited for its cinematography and production
design, while Mike de Leon's Bayaning
Third World got raves for deconstructing Rizal -- in a candid,
tongue-and-cheek manner – as a national hero.
Red's long- haired Sakay was
cited for its anti-US stand during the American occupation of the Philippines. Bayaning
Third World was funny,
intelligent with Filipino petty bourgeoisie humor, says one of the respondents. Women,
Manila and Eddie Romero Abaya
scored another triumph with Moral, a
film about independent women, along with Bernal's full-force exposition of
decaying life in the main capital in Manila
By Night and Eddie Romero's national historical drama Ganito
Kami Noon, Paano Kayo Ngayon?, was cited five times by respondent-activists
and ranked 10th in the Bulatlat.com survey. Other
worthy films cited a couple of times but failed to land in the top 10 were Batch
81 (Mike de Leon), Bagets I (Maryo
J. delos Reyes), Bayan Ko: Kapit sa
Patalim (Lino Brocka), Insiang (Lino
Brocka), Sakada (Behn Cervantes), Ligaya
ang Itawag Mo Sa Akin (Carlitos Siguion-Reyna), Scorpio
Nights I (Peque Gallaga), Nunal Sa
Tubig (Ishmael Bernal), Kisapmata (Mike
de Leon), Lucia (Mel Chionglo) and Sana
Maulit Muli (Olivia Lamasan). Brocka
and his contemporary, Bernal, died a few years ago. Founding members of the
Concerned Artists of the Philippines (CAP), both were active in the
anti-dictatorship years. Cervantes still directs plays and supports Bayan Muna.
The rest of the directors acclaimed in the activists’ list are still active in
the film industry where they reap more awards. Bulatlat.com We want to know what you think of this article.
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