CULTURE
Love, Bound by War
Review of the film,
Aishite Imasu 1941
Basfilm Productions
Director: Joel Lamangan
The actors were good.
Casting was perfect. Editing was neat.
By Julie Po
Bulatlat
Aishite Imasu is set
in the town of San Nicolas in 1941 when Japan was spreading its wings over
the archipelago. It is a story of a love triangle. A refreshing
treatment of relationships, though, as it proved that true love doesn't
have to be mushy.
The triangle involves
Inya (Judy Ann Santos), Edilberto (Raymart Santiago) and Ignacio (Dennis
Trillo). The three were childhood friends, caring foster siblings to each
other. Inya and Edilberto would later get married; Ignacio, from the
start, was in love with Edilberto.
Ignacio was gay, but
was not hysterically gay. He was forced to cross dress to stand in for a
singer in a town program. At this juncture, the Japanese commander of the
occupying troops (Ichiru, played by Jay Manalo) saw Ignacio and was drawn
to his feminine charm.
Edilberto convinces
Ignacio to continue the game so he could be close with Ichiru and pass on
information about Japanese plans to the Filipino guerillas. Love for
Edilberto or love of country made Ignacio do it.
Before the Japanese
occupied the Philippines, the struggle of peasants for land was gaining
momentum. When the Japanese arrived, they shifted focus to fight the new
invaders. They resisted Japanese rule through armed guerrilla and
propaganda tactics.
In the movie,
Ediberto was part of the armed-peasant and –guerrilla liberation movement.
Inya and Ignacio were supporters, like majority of the townfolks.
Spurred by tension
As the personal
relationship of Edilberto and Inya is spurred by tension due to his
commitment to the guerilla movement, the relationship between Ichiru and
Ignacio was developing to be romantic.
Amidst these
developments is the intensifying guerrilla attacks vis a vis the
intensifying Japanese ferocity. The attack scenes were a military
strategists' nightmare, but it showed the courage and determination of the
Filipino freedom fighters. The graphic presentation of Japanese brutality
would help us understand why, even after several decades, Filipinos of
that era would run after any Japanese with a bolo.
Toward the end is the
knock-out battle between the Filipinos and the Japanese and the do-or- die
dilemma of Ichiru and Ignacio. In the end, of the triangle, Inya was left
as the only one standing. But their relationship with each other stood
out as one of true love, bound by love of country.
The actors were good.
Casting was perfect. Editing was neat. Production design was grand (by
local movie standards). References to history were accurate. Taste is
biased to ideological inclination. Aishite Imasu is the best picture of
the Metro-Manila Film Fest 2004. Bulatlat
Julie L. Po is
Secretary General of the Concerned Artists of the Philippines.
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