Stage-Managing the War on Terror

As the wait for reviews and investigations and answers drags on, the immediate area served by Abdullah’s mosque — blighted, black, and destitute — frays further, and is in danger of losing a small but critical social and economic resource. Abdullah ran a well-attended soup kitchen for years, worked to rid the neighborhood of gang violence, and sought to provide support for the poor, the homeless, and ex-convicts. His family and his depleted mosque are now struggling to keep the house of worship and soup kitchen going. Mosque attendance has plummeted and contributions, never robust, have evaporated; law-enforcement investigators continue to fan out through the community.

“People are still scared,” said Omar Regan, one of Abdullah’s 13 children, who makes his living as an actor, comedian, and motivational speaker based in Los Angeles. “They are still interrogating people. The more people push about injustice, the more they harass Muslims in that area [of Detroit]. My father took care of all these people. They leaned on him. He was a reason a lot of them didn’t commit suicide. They came for food. For shelter.”

Regan is incensed that the FBI provided the money to acquire stolen goods, the actual goods as well, and even the warehouses to store them in, while working out plans for moving the goods through informants and undercover employees clustered around Luqman Abdullah and the Masjid al-Haqq mosque. And now Omar Regan’s father is dead.

“It’s the FBI setting the whole thing up,” he lamented. “How can that be legal?”

It’s a question more and more people are asking as the war on terror grinds on, now directed by the Obama administration. If nothing else, the cases of the Newburgh Four and the Detroit Ummah Conspiracy show that street-smart accused conspirator James Cromitie knew what he was talking about when he said that chronically poor people will “do it for the money” and “don’t care about the cause.”

This simple fact underlies both the Detroit and Newburgh cases. The FBI contends that the Detroit sting was not about terror, but about mundane criminal activity. If that’s the case, why was the criminal complaint larded with characterizations of Luqman Abdullah’s supposed violent political views? What relevance does H. Rap Brown, now in prison, have to moving stolen goods in Dearborn?

Beyond that, what justification do federal authorities have for characterizing “the Ummah” as a threatening separatist movement? Many Muslim leaders argue that such a characterization is a fantasy akin to tales spun by the FBI’s most imaginative informers. Both Newburgh and Detroit are, indeed, instances of “unterrorism,” as the Newburgh judge said of the “plot” before her. Yet both are starkly framed by the on-going war on terror, both involve elaborate set-ups arranged by federal informers and covert agents, and both ensnared inept, virtually destitute black people scrambling to get by in post-racial America.

It remains to be asked: How expansive will the stage become for creative informers and their government directors now working the theater of the Great Recession?

Stephan Salisbury is cultural writer for the Philadelphia Inquirer. His most recent book is Mohamed’s Ghosts: An American Story of Love and Fear in the Homeland (Nation Books).
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