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The red blood depicted in Zoluaga's piece snakingly flows like the ancestral rivers in Tumandok lands. The winding ripples twined below the navels of these figures as if tugging them to stay immobile. But hear no petty cavilings from their travails, these are steadfast clan leaders who are vigorously marching along the correct line-of-path.
The poems are significant because they take up the issues that are carried by the program of the people’s democratic revolution. In various poems, the reader can discern the author’s scientific knowledge, his closeness to the farm workers and peasants and the anguish of separation from his loved ones. Most of the poems can pass the muster of literary criticism and can be appreciated as excellent works of art.
The immediate effect was to facilitate a conversation, if not an outright stand on imperialist wars waged by the U.S.
The music video shows Reina Mae Nasino's continuing struggle against injustice as she remains in jail over trumped-up charges.
Listen to a poem of the late peasant advocate Randall Echanis performed by Ian Lomongo.
Featuring artworks inspired by the plight and struggle of political prisoner Reina Mae Nasino and her daughter Baby River.
The songs try to "capture the struggles of poor communities in the Philippines subjected to their government's Enhanced Community Quarantine rules."
Does it invigorate or paralyze movements for racial equality? More important, does it subordinate the struggle for genuine national sovereignty to the paramount goal of gender-neutrality? Does it obscure the asymmetry between the imperial hegemonic United States and its virtual neocolony, the Philippines? To push further, which cause would advance a systemic solution to racist, sexist global capitalism?
The conference aims to deepen the discourse about the martial law years and correct the twisted narratives being perpetrated by groups who want Filipinos to forget those dark years in the nation's history.
Artists have up their collaboration to turn out music videos that have become a powerful tool for awakening and raising the people’s consciousness. The visuals sure do aid the music and the lyrics come for easy retention. The internet affords the listeners to revisit the videos anytime and share it to others, much more so in this pandemic where online connectivity has become the norm.
The unfortunate death of Kian and many others tell us that the Oplan Tokhang is real and its masterminds are very much alive today. These monsters have created a nation of orphaned children and killed their dreams. These are the same blood-thirsty monsters who creep into the night, whose only real weapons are inflicting fear and terror.
Fast track this to the current Duterte regime and the Filipino artists, in the mainstream or alternative circles, continue to fight for causes, even at the risk of being red-tagged and branded a “terrorist”. They have lent their names and influence and, whenever necessary, appeared in media or in crowds to fight for democracy and justice, very recently against the so-called Anti-Terrorism Bill which could be worse than martial law. In a way they have become idols of resistance, raising the awareness of their fans and encouraging them to fight for their own rights as citizens.
Lam-Ang will be available for streaming along with the steampunk musical Mabining Mandirigma; celebrated Filipino translation of Shakespeare classics Coriolano, Pangarap sa Isang Gabi ng Gitnang Tag-Araw , and Der Kaufmann; and the hit children’s musical Sandosenang Sapatos.
About 50 musicians both here and abroad collaborated under the umbrella of Musika Publiko to produce "Magiting."
Not contented with her detention, social media users deemed as paid trolls continue to attack Maria Victoria Beltran.
“Let us value the life of each cultural worker affected by this crisis. What we need is immediate response toward the realization of our collective well being, right to health, and freedom to create and speak up.”
An original composition of the Concerned Artists of the Philippines released in the midst of the COVID-19 pandemic
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