He [Tomas Talledo] writes with a formidable urge to shape not only their perception but also the depths of their understanding of why people struggle, persevere, and prevail amidst despair, loss, and pain– it does not halt a movement grounded on more than what the fascist state tries to destroy.
Through their aesthetic choices, Malcolm Guy and Demetri Estdelacropolis’ film bridges art with activism, addressing themes like colonialism, imperialism, and poverty while intertwining these issues with the Filipino people's fight against systemic injustices and the fostering of Third World revolutionary consciousness. The urgency and importance of this approach cannot be overstated.
“His memoir allows us to see not only his success and glory, but also his faults and a vulnerability rarely seen from him.”
Invisible Labor's director Joanne Cesario said that the documentary’s success was a collective effort by the workers’ movement and advocates dedicated to preserving labor history. Reflecting on a 2022 gathering of labor rights advocates, Cesario shared how they recognize the urgent need to mainstream labor history, even within the workers’ movement itself.
“Cartoons raise awareness by promoting human rights, especially in our social media content. Human rights issues are often not given enough importance, along with other rights."
Patuloy na nakapagsulat si Amanda Echanis kahit nakakulong at sa kanyang mga akda masusukat ang lalim ng kanyang pagnanasa na lumaya at higit sa lahat ay magpatuloy na lumaban para sa pagbabago.
Well, the Concerned Artists of the Philippines (CAP) took the unusual route and, rather be all grim and determined, rejoiced with fans of Pinoy Pop and brought to the dance floor eight eager-beaver BINI fans called Blooms, all typically made up, to sway to the catchy tunes of BINI’s “Pantropiko” and “Salamin, Salamin.”
Mayamor's poems understand Tumandok identity as marker that distinguishes them from lowland poor peasants pushed upland.
Activists as they are, Ilagan and Lamangan, could not allow the play to leave its audience depressed and hopeless. Their faith in the power of the mass movement seemed endless, ending the play with a positive note, uplifting its cast and audience alike.
Ipinahayag ng 1872 na ilusyon ang reporma at liberalismo sa kapuluan. Ang pagkagarote sa tatlong pari ang simbolikong paalala ng lupit at dahas ng kolonyal na kaayusang hindi kayang tapatan ng ilusyon ng ideyalismong liberal na isinulong ng mga naglalayon na maging kapantay lamang sila ng mga mananakop.
By YANNI ROXAS Bulatlat.com I thought I was going to another historical film na pinatay na naman ang bida (where the protagonist was killed) and leave me sad, sour and hopeless. Had "Gomburza" the movie not won second place at the 49th Metro Manila Film Festival I...
"It is well established that an effigy is a form of art. It is not solid waste: it is not garbage or refuse."
We must therefore never forget that contradiction in fighting back for freedom of expression today. Freedom of expression is not a privilege of those in power, but a weapon of the oppressed to safeguard against the abuse of power—whether economic, political, and social.
Aside from breaking barriers in the themes they are covering, the growing PPOP movement in the music industry is also slowly changing the entertainment landscape.
The end song Freedom comes alive with today’s commemoration of independence day. By telling A’Tin “you are my freedom,” SB19 prompts our consciousness to rely on the masses in the struggle for self-rule.
Combined with the visuals that the music video served, SB19’s Gento also appears to give a nod to not just the struggle of the Mahalima themselves but also that of the ordinary folk.
We do want change in our movie culture by fighting the stereotypes and finding relevant stories. But this change needs more input not from politicians, but rather from filmmakers, the academe that can provide deeper understanding of cultures, the sectors who have been victims of stereotype, and the audience itself.
This book will certainly arm the consciousness and inspire a new generation of labor organizers and workers of the skills and attitude to challenge the odds.
If put together as bits and parts of a large puzzle, all the repressions, oppressions, marginalizations and directed violations of Tumandok rights as indigenous people the picture amount to ethnocide. There exists a deliberate and systematic destruction of their life and culture as vulnerable people.
More than just showing what went on behind the scenes of their world tour, the Nyebe visualizer encapsulated and highlighted the longing, and sadness of living and working overseas.
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